Red carpet looks that dazzled Cannes

Actresses proved you can protest while being beautifully dressed (AFP Photo/LOIC VENANCE)

Actresses proved you can protest while being beautifully dressed



Cate Blanchett's spectacular blue Mary Katrantzou ball gown that took six months to make (AFP Photo/Valery HACHE)

Cate Blanchett’s spectacular blue Mary Katrantzou ball gown that took six months to make

Black and mixed-race French actresses lit up Cannes protesting the discrimination and stereotyping they have suffered (AFP Photo/Alberto PIZZOLI)

Black and mixed-race French actresses lit up Cannes protesting the discrimination and stereotyping they have suffered

Spike Lee dusted down his Love and Hate knuckleduster rings from "Do the Right Thing" for his "BlacKkKlansman" premiere (AFP Photo/Anne-Christine POUJOULAT            )

Spike Lee dusted down his Love and Hate knuckleduster rings from “Do the Right Thing” for his “BlacKkKlansman” premiere

Jury member Kristen Stewart threw off her stilettos and walked barefoot along the red carpet (AFP Photo/Valery HACHE)

Jury member Kristen Stewart threw off her stilettos and walked barefoot along the red carpet

Bollywood star Aishwarya Rai's peacock and butterfly-style gown had the longest train seen on the red carpet (AFP Photo/Anne-Christine POUJOULAT)

Bollywood star Aishwarya Rai’s peacock and butterfly-style gown had the longest train seen on the red carpet

Japanese actress Erika Karata had to be rescued twice by her co-stars when she got her heel stuck in her dress (AFP Photo/Valery HACHE)

Japanese actress Erika Karata had to be rescued twice by her co-stars when she got her heel stuck in her dress



Cannes (France) (AFP) – With two powerful protests by female stars calling for equal pay and treatment, the red carpet at the Cannes film festival — which ends Sunday — was about much more than fashion statements.

But that did not dim the glamour of the gala premieres. We look back on 12 days and nights of glitz, as well as the occasional wardrobe malfunction, on the French Riviera.

– Who’s wearing the trousers? –

The Cannes red carpet has seen a lot in 71 years. But few nights will live longer in the memory than the one when female stars led by jury president Cate Blanchett protested about the festival’s epic fail when it comes to women directors. All but 82 films of the near 1,700 shown at Cannes over the years have been by men.

This was also possibly the best-dressed demo in history, with Kristen Stewart rocking a white Chanel trouser suit and many others following #MeToo protests elsewhere by dressing in black. This was a Cannes where women wore the trousers — once frowned upon by the festival’s dress code — with Blanchett killing it with a black Givenchy jumpsuit for the premiere of “Capernaum”.

– Queen Cate –

No one does regal better than Blanchett who made her name playing British monarch Elizabeth I. Her intelligence and poise gave the festival a new sheen, from her speech at the protest to her insistence that the jury will chose the best film, not the one that best fits the political narrative.

Her wardrobe choices were equally impeccable at more than a dozen galas. Two black Armani numbers contrasted with an intricate avant-garde Iris van Herpen dress. And she brought the house down with a spectacular blue Mary Katrantzou ball gown that took six months to make. The dress also delivered the cutest photo of the festival when her daughter hid under her skirts as she left her hotel room.

– Black is back –

Black and mixed-race French actresses showed how to be angry and elegant in their protest on the red carpet about the shocking discrimination and stereotyping they have suffered. Dressed in Balmain they lit up Cannes on the wettest night of the festival and were clapped up the carpet by jury member Khadja Nin.

The Burundian singer has given Blanchett a run for her money with some seriously sassy wax print dresses and headwraps while Spike Lee dusted down his Love and Hate knuckleduster rings from “Do the Right Thing” for his “BlacKkKlansman” premiere.

– Kicking ass barefoot –

After “Heelgate” in 2015 when women were stopped on the red carpet for not wearing high heels, Cannes “sexist” dress code — since revised — took a bit of a kicking this year with jury member Kristen Stewart throwing off her stilettos and walking barefoot up the steps for “BlacKkKlansman”.

A few nights later she ground convention further into the dust with an androgynous black Chanel jacket and leather trousers and loafers. Italian director Alice Rohrwacher, whose quirky “Happy as Lazzaro” is in the running for the Palme d’Or top prize, took gender reversal to a new level by wearing a man’s shirt backwards for her press conference.

– Butterfly gothic –

Indian icon Aishwarya Rai and Iranian actress Marziyeh Rezaei wore two of the most photographed dresses — for very different reasons. The train of the Bollywood’s star’s peacock/butterfly Michael Cinco dress was the longest seen on the red carpet for many a year, while Rezaei’s was a spectacularly modest shimmering tulle number channelling the most gothic of fairytales.

– A slight snag… –

And you have to feel sorry for the super chic Japanese actress Erika Karata who had to be rescued not once but twice by her co-stars from “Asako 1 & 2” when she got her heel stuck in her dress on the famous Cannes red carpet.


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Princess Diana’s Cannes Dress Was Bluer Than the Sky and as Whimsical as a Dream

Princess Diana Cannes Film Festival Dresses

The Cannes Film Festival has always been one of the most glamorous events of the year, attracting Hollywood stars, models, and royalty alike. But while stars consistently shine thanks to the most incredible gowns, no one has marked the red carpet quite like Princess Diana.

Back in 1987, when she was just 26 years old, the Princess of Wales stunned everyone when she stepped out on the Croisette, wearing what has since become one of her most iconic outfits. As we watch to see what everyone wears this time around, read on to see the two Catherine Walker ensembles that Diana wore over 20 years ago.

For her first appearance on the Cannes Film Festival red carpet, Diana wore a puffy Catherine Walker dress with a double-breasted white blazer.

She accessorised her outfit with black-and-white pumps.


For her evening look, Princess Diana opted for an incredibly glamorous gown.


She accessorised it with a shawl and chandelier earrings.

Meet the Brand That’s Making Your Dream Spring Dresses a Reality

Spring Dresses from LoveShackFancy

It feels like we wait for warm weather all Winter long. We dream of all the places we’re going to go and the outfits we’re going to wear, when a giant coat is no longer necessary. Now that this day is finally here, live out those daydreams in a dress by one of our favorite new designers, LoveShackFancy. The clothes are romantic, playful, and feminine, so basically every Spring vibe you’re trying to channel. They can be worn as vacation dresses, party dresses, day dresses, or whatever-you-want dresses. In short, these are dresses you’re going to want to wear, and we wish you luck in picking a favorite.

Finally, a Movie That Gets Prom Dresses Right

Like any person, I’m embarrassed by a lot of what I wore in high school. I look back in horror at the low-slung jeans and the layered tees. For what it’s worth, however, I got one thing right: My prom dress. I found it in a vintage store. It was a ’40s cut with a floral pattern on top and a floor-length, cream-colored skirt that hung straight. It was timeless and flattering and I probably should find a reason to re-wear it.

I flashed back to this outfit, and how proud I was of it, after seeing Kay Cannon’s Blockers. The comedy, about a group of parents trying to stop their daughters from losing their virginities on prom night, is hilarious, moving, and unusually smart about the various ways young women approach sex. It’s respectful of the three girls at its center, and that respect is evident in their prom ensembles. The outfits worn by Julie, Kayla, and Sam — played by Kathryn Newton, Geraldine Viswanathan, and Gideon Adlon — are distinctive and cute, reflecting their wearers’ burgeoning senses of style — just like mine, I’d say. In a movie full of butt-chugging and vomit gags, the fashion is taken refreshingly seriously.

With apologies to the costume designer of Pretty in Pink, the most famous movie prom dress is notable for being hideous. In 1986, Molly Ringwald’s Andie ruined a perfectly nice vintage dress with scissors, creating an ill-advised concoction of pink polka dots and inexplicably bare shoulders. Andie’s dress is unintentionally laughable, but other prom scenes aim for the ridiculous, like when Rose McGowan is outed as a murderer wearing an overwrought updo in Jawbreaker. Most school dance fashion on film, though, is disappointingly bland, filled with spaghetti straps and pastels. Carrie White’s slip dress is unimpressive before being covered with blood; Sandy Olsson’s hand jive attire is basic, white ’50s kitsch.

Photo: Universal Pictures

In Blockers the most traditional dress belongs to Julie, who, in many ways, has the most traditional story line. She’s the first to announce that she’s planning to have sex with her long term — for high school, anyway — boyfriend. She envisions rose petals on the bed and a very specific candle burning.

Costume designer Sarah Mae Burton says she assumed the character would consider her formalwear with the same amount of care. Burton — who was eager to do a prom movie — discovered in her research that today’s teens pour over Pinterest in planning their perfect evening. “I put together a mood board that wasn’t necessarily about the dresses in the images but the feeling they evoked and the sort of very romantic, glamorous evening that [Julie] would be preparing herself for,” she tells the Cut.

Julie’s the kind of girl with a Sixteen Candles poster on her wall. And, true to that ideal, her dress — a modification of a Nha Khanh design — has a full tulle skirt. But it’s also a bold red, almost a hint that unlike the heroine of that movie in pale pink, Julie isn’t going to wait around for a boy to whisk her away. She’s going to orchestrate her own destiny.

Photo: Universal Pictures

Kayla’s dress was chosen with that same sense of identity. Kayla’s life up until this moment has been defined by her athletic achievements. “I remember those girls from high school that you were like, Damn, I haven’t seen you wear anything but sweatshorts like ever,” Burton says. That’s Kayla, and her two-piece reflects that. She bares the most skin of any of her friends — to the dismay of her overprotective dad (John Cena) — but at the same time she’s showing off her physical accomplishments.

As Burton notes, the top has a sports bra feel. The material is sparkly and sturdy. It works in conjunction with Kayla’s chill but focused personality. She’s up for trying anything her druggie date has brought along, but she’s also totally in control. While she ultimately decides she’s not ready to have sex, she’s not going to completely deny her own pleasure. Instead, she suggests her dude go down on her. He does.

According to Burton, Sam was the hardest to dress. Of the trio, she has the most nuanced arc: She begins the film closeted, going along with her friends’ sex pact because she doesn’t want to be left out of their shared experience, but over the course of the night embraces her own desires. An early draft of the script noted that she had a crush on Tilda Swinton, so Burton first tried some asymmetrical, Swinton-esque gowns on her. But when Adlon tried on the Self Portrait gown she ended up wearing, her character came into focus. Its Wednesday Addams white collar and Edward Gorey color scheme nod to her interest in fantasy without being overt.

By contrast, Sam’s love interest Angelica (Ramona Young) fully embraces a Lord of the Rings aesthetic, wearing a cloak she designed for Galadriel cosplay. Initially, the script called for Angelica to wear a tuxedo, but Burton demurred: “The more we dug into it it was like, okay, why does the one [already out] gay female character have to be in men’s clothing? Why can’t she be in a beautiful dress?”

The realities of production required Burton to alter the off-the-rack items she found for Julie, Kayla, and Sam. All the skirts were cropped shorter since mobility is key in the hijink-heavy, sometimes messy plot. She also needed to wrestle up multiples, which sometimes meant frankensteining new dresses from pieces with similar fabric. Still, Burton wanted some element of verisimilitude. Kayla’s outfit came from Ellie Wilde, a prom line under bridal retailer Mon Cheri, and  extras wore gowns from brands like Sherri Hill and Rachel Allan. The dresses aren’t cheap exactly, but prom is a racket in the real world. (According to a Visa Inc. survey the average cost of prom was $919 in 2014.)  “We wanted to make sure that it was something that felt like they would actually have access to,” Burton says. “Perhaps they saved their allowance or their part time job money toward it.” The dresses don’t feel like they were plucked from the runway, but more crucially, they feel like looks the women wearing them would choose. Maybe in real life they wouldn’t fit quite so well, but I’m willing to accept a little movie magic.

Blockers works because it’s on the side of the high schoolers, and the parents are routinely called out for the insecurity that leads them on their mission. The movie never questions whether these girls are capable of making their own decisions about their bodies — when it comes to both sex and clothes.

Kylie Jenner Matched Stormi’s Fendi Stroller, and It’s the Most Hollywood Thing We’ve Ever Seen, Okurr!



While most people take their babies for a walk in a regular stroller, Kylie Jenner decided to put her daughter in the most glamorous one we’ve ever seen. The 20-year-old mama took little Stormi for a walk in a — wait for it — Fendi baby stroller! But that wasn’t all.

In true Hollywood fashion, Kylie also took this as an opportunity to show off her amazing postbaby body. She matched Stormi’s baby carriage in a skintight Fendi dress. Her logo-covered outfit hugged each and every one of her famous curves, and she finished her look off with beige combat boots. Read on to get a closer look at her outfit, and buy similar versions of her dress ahead.

The Chinese Australian architect who fashion retailers go to for his trendy and innovative designs


Over the past 13 years Kelvin Ho has created interiors for some 300 boutiques for 30 leading independent Australian fashion names. He has been involved with New York Fashion Week regular Dion Lee, Camilla and Marc, Willow, Lover, Sass & Bide and luxury basics line Bassike, including Bassike’s 100 sq m store in Venice Beach, Los Angeles.